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aesthetics of the tea table

AaronFisherSilverpotjswm.jpg Aaron Fisher uses a silver teapot and antique Chinese tea bowls as an aesthetic and soulful treat

Tea enthusiasts spend countless hours tasting teas, but perhaps even as much time focused on the aesthetics of their own personal rituals with tea.  Collecting fine or simple tea ware is a favorite pastime of most tea lovers and brings a deeper awareness of the potential of a tea by the kettle, gaiwan, teapot, or cups that are used to heat the water, prepare the tea, and sip it. 

People who study tea know that all aspects of tea ware will influence the final cup.  The kettle and its heating element, the teapot or gaiwan and serving vessels, and the cups themselves all have an effect on the taste and "mood" of the tea.

While some use very expensive and collectible tea ware including silver or antique Japanese iron tea kettles, others seek out or come upon items for the tea service that fit more into the "wabi" aesthetic of tea in which the rustic, pure nature of the tea ware stands out by virtue of the beauty of its simplicity. In other words, the refinement of the unrefined. 

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A roadside stone can be put to use on a tea tray
For example, I had tea with a well-to-do, Taiwanese tea company owner who has one the largest collections of antique Japanese tea kettles I've ever seen.  However, for his own tea service, he uses a kettle that is "un-sellable" because of its cosmetic defects, and in addition, uses a stone he found on the side of a road as a platform for his yixing teapot lid.  His tea tray? Part of an old wooden door whose finish has been worn by years in the elements.


Aaron Fisher, a tea teacher and author of the new book The Way of Tea, uses Ming Dynasty tea cups and Song Dynasty tea bowls to teach his students about the impact of tea ware on the taste of a tea. He told me that the quality of tea ware has a huge influence on the tea, and that even touching one's full tea cup to a treasured piece before sipping from it will heighten the taste and experience of the tea.

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Some tea friends of mine bought slices of semi-precious rocks at a mineral show, and use these under their yixing teapots, so when the water flows down over the teapot and onto the rock, the slice of geology is transformed into a lustrous and luminous tableau full of color for all to appreciate. This demonstration of the abundant beauty of nature is the most fitting offering in a tea ritual of any kind.

You may wish to purchase expensive items or simply find usable "tea ware" in nature, abandoned construction sites or at estate sales. You can spend tens of thousands of dollars on one silver tea kettle or find a gorgeous item for your tea table on the beach, in a forest, or even on the roadside. Whatever you choose, have fun experimenting with what makes your tea experience look, feel and taste the way you want it to.

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A number of tea masters and merchants recommend brewing techniques as guidelines, and in the same breath say, "But these are just signposts. You have to know the tea."

By learning the nuances of one tea, you pick up the secrets of others. This is the art of the tea connoisseur.

For example,  J-Tea's Mi Xiang oolong, smells a little bitter after the rinse, and when brewed for 60 seconds, the tea exhibits a harsh edge and an almost dry mouth feel. When brewed for 20 seconds, however, it's a really fine, smooth tea with complexity, character, and even a wry sweetness.  Where did the bitterness go? It seems to have been swallowed by the black hole created by the absent 40 seconds.

The same goes for the Bamboo Fragrance Puerh from The Phoenix Collection and a number of other teas that I now recognize as a category when I smell them....the sharp, bitter smell, mingled with other notes like sweetness and smokiness signal a tea that requires a short brewing time.  Brew it for only 10-20 seconds and you might not taste any bitterness at all.

This works for Phoenix oolongs, green puerhs, and other teas like J-Tea's Mi Xiang. So in getting to know the Mi Xiang by spending real time with it, I learned something about a certain quality in tea and what it's telling me about its brewing requirements.

From there, brewing variables increase: you can experiment with different tea ware or water, leaf quantity, and higher or lower water temperature. Each tea will sing more sweetly or wail a little louder with each slight change.

What are you learning from tea? Let me hear about your tea adventures....

rethinking the steep

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This morning I did a sampling of 2006 Rice Pollen Green Puerh from Pure Puer Tea. Using very hot water for the first couple of infusions for a minute or more produced a very bitter, almost undrinkable tea. But the lovely, smokey aroma wafting off the lid of the gaiwan suggested that I had erred, and there was something good to be found in this tea.

According to Roy Fong in his book, The Great Teas of China, "Younger, less fermented puerh can easily become bitter, so try about 2 tsp in medium-hot water with a 1-3 minute steep time." I've noticed that Roy likes his tea "thick" (heavily infused), so even the 1-3 minute steep time might still be too long for some teas for another palate.

So I started completely over with a new serving of leaves, and this time brewed only one teaspoon in 185-190ºF water for only 5-10 seconds (similar to brewing specs at Pure Puer Tea). Nice!

I had a very similar experience with David Hoffman's Bamboo Fragrance Puerh, which when steeped for 90 seconds was undrinkable.  Taking it down several notches made the magic happen. Brewed in 195ºF water for about 15 seconds created a really fine and unique brew, offering a kind of smokey, exotic taste that made me feel as if I were sitting by an open fire with the tribe that had picked and processed the tea.

So, the next time you find an "undrinkable" tea, try steeping it very differently.  Hotter or cooler water, more or less leaf, different tea ware, or a change in steeping duration (or a combination of some of these variables) can make all the difference.

Then again, some teas ARE undrinkable.  In such a case, toss it in the garden, and find a new tea.

the great teas of china

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In Roy Fong's new book, The Great Teas of China, Roy shares his 30+ years of knowledge and experience with tea, and distills it into a slim volume that is direct, concise, and elegantly written. You would be hard pressed to find a better book with which to begin your tea adventures, and it will serve for years to come as a reference guide.

In broad, clean strokes, Roy shares information about each of the ten teas he features, including its history, lore, processing techniques, and region of origin (including a map).  He also provides color-correct and proportional images of the teas before steeping and as a liquor in the cup, so readers have a good reference for selecting and brewing each tea. 

All the elements of this book come together to teach tea.  Roy takes this opportunity to reach out to anyone who cares to learn a lot about tea.  With this book, you have a tea master's training in your hands, and someone to whom you can turn with questions. 

Each time you scan this book, you will learn something new or be reminded of a different facet of the relationship between tea, its origins, and the tea drinker.  You will feel as though you were being tutored by Roy directly, and hearing his tea stories first hand, as if walking through China together as he teaches you the most important things he has learned about each tea, and how he learned it.

Very simply, Roy is a great tea man.  If you want to be trained by a master, this is your book.

puerh tea with roy fong

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Roy Fong sipping tea
Roy Fong, owner of Imperial Tea Court, has just come out with his long-awaited book, The Great Teas of China. We caught up with Roy to do a multi-part interview, with our first discussion focusing on puerh teas.

Click here to listen:

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It seems that many tea connoisseurs ultimately favor puerh teas.  Why is this?  Puerhs don't usually have the strong and intoxicating floral fragrances of Taiwanese oolongs, nor do they have the very light, crisp notes we find in some greens and whites. 
   
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Some people even refer to puerh teas as "dirt teas."  I once saw someone pick up a puerh cake at a tea shop and mention quizzically, "Hmmmmmm....smells like feet!" 
 
With all this in mind, what is it that tea lovers favor in puerhs?  Click on the interview for a short and fascinating answer from Roy.




how to use different kinds of tea ware

teawarecomposite.jpg Some people want to explore the world of connoisseur tea, but are not comfortable with the idea of brewing teas that do not come in tea bags.  Let's demystify the options here and save the planet, friends (for more, see my entry on "Tea's Carbon Footprint"). 

First, the only thing you really need in order to brew loose leaf tea is a device to strain the tea or rather separate the infused tea liquid from its leaves. There are several methods to choose from:

1. Porcelain cup with filter: For many people new to loose leaf tea, this is the most comfortable and familiar method of brewing tea.  You simply put tea leaves in the filter, place the fitted filter in the cup, then pour in hot water.  Steep for the allotted time, then remove filter (with leaves), and your tea cup will be filled with a lovely tea infusion. You can put the filter, with the used tealeaves, aside, and steep it again when you are ready. If your cup does not come with a filter, you can use a small strainer, found in almost any cooking store or even the supermarket. Easy peezey.

Thumbnail image for yixingpot2jpg.jpg 2. Tea pot (with its proprietary strainer or with a filter): The next most familiar method is the trusty tea pot.  You will find many choices, but optimally, you would use a glass, porcelain or ceramic teapot to brew white and green teas and porcelain, ceramic or yixing for oolongs, blacks and puerhs. Many tea pots have a built-in filter or some type of internal system at the interior base of the spout that will prevent tea leaves from escaping the tea pot.  If you have a tea pot that has no such filtering device, simply use a filter or strainer over your cup or serving vessel. You can find some very nice strainers made of bamboo and other non-metal materials (which is preferred).


Red Blossom408.JPG 3. Gaiwan:  Ahhhh, the gaiwan.... For those who are new to tea, the gaiwan can be either  enchanting or perplexing.  Once you learn how to use a gaiwan, you might never want to use a filtered tea cup or tea pot again.  The gaiwan comes from China, and comprises a saucer, a cup, and a lid.  In fact, it means "covered bowl" in Chinese.  Regardless, the lid of the gaiwan is used to cover the tea as it steeps, smell the tea, and also prevent the leaves from escaping the cup when the infusion is sipped or poured into a serving vessel.  To use a gaiwan is simple: put tea in the gaiwan.  Rinse the tea for 1 second with hot water, and pour off.  Pour hot water on the leaves and cover with the gaiwan lid.  You can also use the lid as a kind of paddle to nudge the tea leaves awake while the tea is brewing. 

Then either pour the infusion into a serving vessel or drink the leaves directly from the cup of the gaiwan, using the lid to hold back the leaves. I brought a gaiwan with me on a family trip, and my father blanched and asked "WHAT is THAT??.  Alas, the gaiwan is not for everyone.

Thumbnail image for bamboo whisk for matcha copy.jpg 4. Japanese tea bowl & whisk (for matcha): Tea has been prepared from ground green tea for more than a thousand years.  In China, it was whisked in a bowl. In Japan, it became the primary object of contemplation and practice in the famed Japanese tea ceremony, but you can lose the kimono if you wish, and simply whisk up some tea to elevate your mood. The bright green froth of a matcha brings great solace and energy to those who love this kind of tea.  To use this method: put a few small scoops (2-3 teasppons) of matcha powder in a ceramic tea bowl.  Pour hot water into the powder and whisk briskly (while you say "whisk briskly" briskly three times :>D ) with a bamboo whisk.  Stay tuned for more information on different kinds of matcha and different Japanese tea ceremonies (hint; there is a sencha ceremony as well).

In all, tea brewing can be taken very seriously and require a number of traditional tools, but it can also be extremely simple and require nothing more than a cup and a filter.  This is the beauty of tea.


ming hai puerh with roy fong

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©2007 Jennifer Leigh Sauer

Imperial Tea Court is one of San Francisco's longest running tea enterprises, and is owned by Roy Fong.
Roy is one of the most knowledgeable tea masters I know, and I was lucky to be granted an audience and a couple of cups of his early 1990's Ming Hai Puerh the other day.

Roy is a salt-of-the-earth tea master, claiming that the pedigree of a tea or a tea master is not as important as the tea experience itself.  "The tea should always be clean and bright," Roy said.  "Let the personality of the tea and of the guest determine how you will begin," he says, reminding me of the many shamans I have filmed and interviewed from Africa to South America, most of whom agree that to heal a person, you must know the character of the person and the illness as well as the character of the plants that might heal him.  So it is true of tea as well.  

Roy suggests that a person experiment as much as possible with the teas that interest you.  Try different water temperatures, serving vessels, leaf quantities and steeping times. This way you will begin to understand the potential range of flavors and expressions of the tea.  Lower water temperatures bring out more floral notes of a tea, he claims.  I have noticed this also, and that sometimes using less leaf and letting it steep a bit longer brings out more subtle and delicate notes that are otherwise lost.

Roy and I have both come to some other similar conclusions about optimal steeping habits. For one, don't boil the water only to let it cool down to a temperature that is best for the tea.  Bring the water only to the temperature you want it to be, and not beyond. Remember that the water is a living entity, just as the tea is.  Scalding or boiling it will change it's character.  If you don't want to steep the tea in boiling water, don't bring it to a full boil, but only to the optimal steeping temperature.

Second, tea and metal are not that compatible during steeping.  Although many teas are stored in metal containers or distributed in metal bags, when you are steeping the tea and the leaves are "waking up", you don't want them exposed to metal.  I avoid metal strainers, spoons, and other items containing metals. I do use a stainless steel tea kettle, but I suspect that an enamel coated tea kettle would be optimal. 

When I met with Roy, he was just about to leave for China. He says that to really know a tea, you need to climb the mountains where it grows and observe it in its natural setting.  Many purveyors of tea buy their teas from brokers and never understand the teas' origins.  "When you are in the mountains, you learn what the tea is going through, in its growing, harvesting, and processing," Roy said. "I could do it the easy way, just stay in my hotel room and meet with brokers, but then I wouldn't really understand the tea."  He first went to Yunnan 20 years ago, though he "likes to do something new, learn something new about tea every time."

Puerh teas from old growth trees have become fashionable to buy and collect now, yet Roy has been at it for twenty years.  When a tea comes from trees hundreds of years old, it embodies properties of the earth over those centuries: the air and atmosphere, the soil conditions, the light, even the stories of the local inhabitants.  This is what engages tea lovers who perhaps long for bygone eras when one could not hear the hum of engines, machinery, and electricity, but only the sounds of the wind and the nearby streams.  All of this is in this old growth tea, it is said.

"In most cases, wild teas taste better than cultivated teas,"Roy continued.  "Nature knows best what to do with a plant.  Man changes the balance of nature.  Wild teas have usually been there for a long time.  They are not self conscious.  They grow as they are meant to grow. When a tea is cultivated, the end product is not what nature intended."

Last, but not least, Roy delighted in sharing that wherever you find great tea, you find great water.  As with others who have made a pilgrimage to China to drink tea at the site of origin, Roy claims that the water, ladled from a nearby stream and simmered, makes the most outstanding, unrepeatable tea experience.

Look for Roy's book on ten top teas from China (title as yet unconfirmed) coming out soon. (It will be posted on this blog).

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